Camera connected to a monitor where the image of the live action is displayed.
Thus, the digital space and the analogue space are perceptible at the same time by the spectator. Where the action on the screen shows a different order to what is seen off-screen.
I work with the perception of the camera itself, how depending on the type of camera and the use we know how to give to that particular camera, it modifies our behaviour. How to define reality, how to design our bodies and all the questions related to the new paradigm due to digitalisation.
Who does my body belong to today?
The need to search for oneself
Where are the limits of unambiguity and ambivalence in the location of the self?
100 ways to be inside of a rectangle tries to make a critical reflection taking these questions as a starting point, for it I examine 100 ways of being inside a rectangle. Studying new forms of a body, its capacity to adapt, its ability to recognize and respect limits, twists and flexibility. Those ways are carefully developed through a close and intimate relationship with my own body, through discipline, training, adaptation of ones environment and to myself.
Performance and video work, focused on exploring how people live in a constant search for their own definition as an individual within society. With special attention to female bodies in a fight between of demands vs. expectations.
The ideals of beauty to which our body is still subjected are confronted by showing different perspectives pf new aesthetic qualities of a female body.